Sala Puntángeles, Valparaíso.
2016
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The relationship between the code that describes a program and the generation of light impulses in an interface is similar to that between poetry and the origin of a pictorial or sculptural work, as the energy of this process is poiesis .
A code by changing its syntax or by being fragmented into pieces of independent text, ceases to be an idea that forms a structured set. It happens to be just a group of signs and phonemes, where noise and voids are only possibility. This possibility is an open field of work
The exhibited works are a state of interference. Reality appears before us through the tension of different levels of information and this way of perceiving is what makes us create.
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Interferences
01. Carlos Covarrubias (poetry) + Sam Nach (saxo, electronics)
02. Sergio Pizarro (poetry) + Ronald Smith (electronics)
03. Manuel Sanfuentes (poetry) + Sebastián De Larreaecha (flute, violin, electronics)
04. Jaime Reyes (poetry) + Francisca Silva (choreography), Vesna Osiadacz (dance) + Sergio Miranda (guitar, electronics)
ÓSCAR SANTIS 